Mangione: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a major newspaper published the front-page story “Insurance CEO Shot Dead In Manhattan”. The report went on to state that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then walked coolly away”. The murder in broad daylight was indeed both chilling and disturbing. But many Americans reacted differently: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt like a release. Online platforms erupted. One comment read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company created to increase earnings on your health.”
Less than a week after, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania graduate with a graduate degree in computing, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with prosecutors seeking the death penalty. So what is his background? And what drove the alleged crime? These are the questions John H Richardson attempts to answer in an investigation that explores broader themes, too.
Understanding the Person
A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, producing articles about people “cursed with realistic fears about an apocalyptic future”. To reveal “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was taken into custody, Luigi had a list of 295 books on Goodreads”. Their content covered climate change to masculinity, along with a “emphasis on his own personal growth, both body and mind”. Additionally, Richardson sifts through his correspondence with influencers and authors as well as his many updates on digital networks. These primary sources, intended to depict a picture of Mangione, instead present him as an amorphous figure. Richardson tries to justify this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old trickster magic”. Here, as elsewhere, Richardson attempts to cast his subject in symbolic roles.
Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “depose”, etched on the ammunition left behind at the crime scene. These are the terms sometimes used by medical insurers to deny coverage. He examines the evidence Mangione had a long-term spinal issue, which might have provided motive for an attack, but finds no proof; instead, what significance there is seems to lie in Mangione’s philosophical dread about the world around him, one where “the pace is quickening whether we like it or not, moving rapidly to the edge”; a world where the general belief seems to be that AI is going to ultimately either take control, or eliminate humanity, or both.
Missing Pieces
Notably missing from the book are conversations with the principal actors. Richardson asked, of course, but did not anticipate time with Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the press in advance of the trial. Another flashing-yellow omission is any significant information about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, company earnings increased by 33%.
Unclear Conclusions
By the conclusion, the reader has no clear understanding of Mangione’s personality or what might have motivated his accused actions. More troubling, Richardson’s apparent empathy for him gives the reader the disturbing feeling of having been exposed to a subtle approval of an assassination. In the book’s final lines, Richardson presents his mythical interpretation: “We’ve entered a era of stories, the mad king, the monster in the maze and the naked leader.” In that tale “outlaw heroes come with a appealing vow … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”
One thing is clear: as Mangione’s legal representatives works to have charges that could lead to the ultimate sentence dismissed, any reference of myths, Robin Hoods, champions or villains will not be admissible as evidence in defence of this attractive individual with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.